RON SWARNER: CHAT WITH JAMES HUME >>>
You may have found yourself ... staring at a naked belly dancer painted green. You may have found yourself ... in a confessional booth unaware that the entire party is watching you on video. You may have found yourself ... hypnotized by the naked baby swimming toward a dead president on a projection television. You may have found yourself ... shaking your groove thing to the sounds of Tacoma’s hottest bands. You may have found yourself ... drinking like a fish in the company of fashion models and drag queens.
And you may have asked yourself ... why must it end?
Because James Hume believes its run its course. With 10 surrealist extravaganzas under his belt, the maestro behind Kulture Lab, Hume, is ready to pack it in after one more show: his magnum opus — the Penalty for Removal Redux — which will include 20 burners from some of the Pacific Northwest’s premier graffiti artists, live performances by Can-U and Josh Rizeberg, and a rotating cast of amazing DJs this Saturday at The Warehouse in downtown Tacoma.
What Hume and his cohorts — Jeff Olson, James Bender, Jim Price, Dave Davidson and Rob Anderson and others — created was genius. They grabbed “culture,” shook it until the “C” fell off, replaced it with a K, paired it with a lab and introduced Tacoma to a new medium in which to view visual art, live performance art, music, fashion and film. One, long, thrilling experiment, if you will.
I caught up with Hume for his thoughts, random as they may, on the Kulture Lab series.
WEEKLY VOLCANO: What was the first thing you thought about when you woke up this morning?
JAMES HUME: Why is Houston S. Wimberly lll Esquire Jr. laying next to me?
VOLCANO: What do you have for breakfast?
HUME: Jack on the Rocks and a fistful of Saltpeter.
Recent Comments